It is now considered the industry standard for artists, museums and galleries throughout the world.
090 mm plexiglass, which blocks 66% of UV to prevent color fading from exposure to light, keeping your art protected for years to come. Acrylic GlazingĪll of our frames come with picture quality. All mounting is fully reversible, without any potential damage to the art. Artworks with a deckled or decorative edges will be floated on the matboard, with acrylic spacers to separate the art from the glazing. The mat's surface paper is fade and bleed resistant and is attached to a conservation quality foam-core mounting board that will keep the work safe from deterioration over time. Promotion codes cannotĪll prints are hinged to a conservation quality, acid-free and lignin-free Alpha Cellulose matboard, using an acid-free linen tape. Including commission, shipping, and taxes and duties when applicable. Winning bidders will be contacted within 48 hours to arrange shipping and to provide final price Purchases made from all auctions, including benefit auctions, are subject to sales tax. In the case of multiple bidders placing the same maximum bid, the first person to place the maximumĪmount takes precedence as the highest bid until another bidder exceeds the maximum amount.įor Artspace Auctions winning bidders are charged a 15% Buyer's Premium on top of the hammer price.įor Artspace Benefit Auctions, Buyer's Premiums are not applied. If your maximumīid no longer exceeds the current bid, you will receive an outbid notification email, and have the Winning amount is less than your maximum bid, you will pay the current increment. Unfolds, we will increase your bid by increments to ensure you remain the highest bidder. Spend for a work, though this does not necessarily mean you will pay that price. You should always bid the maximum you are willing to Through meticulous observation and emotional rendering of humanity, the artist rediscovers an original human purity and reflects on the complicated impact the environment places on human beings."Įvery bid submitted is treated as a maximum bid. "She uses natural forms to investigate issues essential to the world and humanity. In 2012, Xiang was named as Martell Artist of the Year. Works of Xiang Jing have been exhibited in art centres in Asia, Europe, and North America, and collected by significant galleries, institutes and collectors.
Victoria jing xiang series#
Xiang Jing's solo exhibition Will Things Ever Get Better? in 2011 uses the acrobats series and the animal series to explore the topic of "predicament" and "human beings fate', opening many new possibilities in Xiang Jing's art. Xiang Jing's artistic concerns go beyond the female identity and sex – for her, the body is used as a premise to explain and explore how a certain group is related to the greater world. Boldly experimenting with her sculptural language, Xiang Jing is also mindful about engaging space and mirror images when creating and installing her works.
Victoria jing xiang skin#
Her artistic language has matured through "The Virgin series", "The Body series", and "Naked Beyond Skin series", as manifested in some of her most important works such as Your Body (2005), The Open (2006), and Are a Hundred Playing You? Or Only One? (2007). Ever since her two solo exhibitions Keep in Silence (2003-2005) and Naked Beyond Skin (2006-2007), Xiang Jing has been thinking and creating works around the subject of female body. "Speaking through the body" used to be one of Xiang Jing's trademarks. Xiang Jing's artistic concerns go beyond the female identity and sex – for her, the body is used … Xiang Jing now works and lives in Beijing. Xiang Jing founded Xiang Jing + Qu Guangci (X+Q) Sculpture Studio in 2007, and later the art brand X+Q Art in 2010, with her husband and artist Qu Guangci. She was a lecturer of sculpture studio at Fine Art College of Shanghai Normal University from 1999 to 2007. Born in Beijing in 1968, Xiang Jing graduated from Chinese Academy of Fine Arts Sculpture Department in 1995.
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